The Sovereign Remedy

CNG 85, Lot: 1545. Estimate $4000. Sold for $2400. This amount does not include the buyer’s fee.

STUART. Charles I. 1625-1649. AV Angel (27mm, 3.76 g, 6h). Tower mint; im: anchor/anchor over castle over African’s head. Struck 1628/9. Archangel Michael slaying the Dragon; x to right / Three-masted ship sailing left; royal coat-of-arms on mainsail; hull ornamented with lis and lions passant, lis on poop; bowsprit rigged with three lines to block; mizzen rigging without block. Schneider, Tower IV dies O-5/R-4b(?); Brooker -; Schneider -; North 2144; SCBC 2683A. Good Fine, typically pierced for wearing, small edge split associated with piercing. Very rare privy mark variety.

The association of disease with evil and the employment of the laying-on of hands to cure that disease/evil has been a part of human belief since at least the time of Jesus and the miracles associated with him. Among the numerous diseases that existed in medieval and modern Europe, one of the most heinous and virulent was the so-called morbium regis, or, as it was known in French, mal de roi – the King’s Evil. A form of scrofula, a tubercular infection of the lymph nodes that left untreated turned into suppurating sores. While various home remedies were known, the one perceived certain cure was the laying-on of hands by the king in his role as the anointed representative of Christ. Beginning in France under Robert II (996-1017) and in England under Edward the Confessor (1042-1066), this ritual became an important part of kingship and also a crucial test of royal legitimacy. So popular did the ritual become by the seventeenth century (under Edward the Confessor only one touch by him was ever recorded) a process was instituted in order to keep the crowds of sufferers at a manageable number.

As a part of the ritual, the afflicted would receive a coin as alms. Because of its association with this ritual, the coin would be kept to act as a talisman for the sufferer. By the time of Edward IV, the coin used was a gold denomination, the angel, that was perfectly suited for the ceremony as it bore a depiction of the Archangel Michael slaying the Dragon on the obverse and the royal ship-of-state – an allusion to the monarch – on the reverse. Under Henry VII (1485-1509), the practice was ritualized into a Divine Service and the coins themselves were a central part of the ceremony, retaining their relative intrinsic purity. Having first been threaded with a ribbon for suspension, the coin would be passed over the affected areas by the monarch, who would sometimes make the sign of the cross with the coin as well. Even after England had become a Protestant country, Queen Elizabeth I (1558-1603) continued to do the latter.

Under the Stuarts, the ceremony took on special significance since they viewed it as an important component of their increasingly absolutist view of the divine right of kingship. While James I (1603-1625), owing to his Protestant background and the lack of such a ritual in Scotland, initially balked at performing the ritual, he soon acquiesced, although he removed everything in the ritual that remotely smacked of papism and invoked God in the actual healing. Under James I and Charles I (1625-1649), the coin itself underwent significant design changes to the reverse, including under Charles the replacement of the traditional legend with a more ironic one – AMOR POPVLI PRAESIDIVM REGIS (The People’s Love is the King’s Safeguard). Like his father, Charles I performed the ceremony only on Easter and Michaelmas, as well as on Progresses. In 1633, a few days after his Scottish Coronation, Charles touched about 100 people. To commemorate this event, special angels designed and struck by Nicholas Briot were used. During his captivity following the end of the Civil War, Charles continued to perform touchings; the coins and ribbons were supplied by those wanting to be touched.

Under the Commonwealth, both the denomination and the ceremony ceased. When the ritual was reintroduced during the Restoration of Charles II (1660-1685) and his successors, a gold medalet, now specifically a touch-piece, was created to replace the angel. Designed solely for the touching ceremony and not meant to be used as currency, this medalet continued to employ the designs of the former angel (although now the ship was now modernized by depicting the Sovereign of the Seas accompanied by the legend SOLI DEO GLORIA (Alone to God the glory). The last reigning monarch to touch on British soil was Anne (1702-1714), who did so three months before her death. The Hanoverians refused to participate at all and the ritual died out in England, although in France it did so until the execution of Louis XVI (1774-1793), and was continued by the Stuart Pretenders until the death of Cardinal Henry Benedict Stuart, Henry IX to the Jacobites, in 1807.